The Tragic Hero of “Antigone” Free Essays

Lindsey Folcik Mrs. Monzel Period 1 8 April 2010 The Tragic Hero of Antigone In Sophocles’ play Antigone, both Creon and Antigone show a few attributes of a heartbreaking legend. Creon is the lord of Thebes following the late Oedipus and his children. We will compose a custom paper test on The Tragic Hero of â€Å"Antigone† or on the other hand any comparative point just for you Request Now He proclaims that nobody ought to ever cover Polyneices since he was a double crosser to his city, while Eteocles would be covered with full military distinctions. Antigone hears this announcement and chooses to cover her sibling, Polyneices, so as to adhere to the laws of the divine beings. The two of them could apparently be the shocking legend of the story. A shocking saint is ordinarily of high birth that has a lamentable defect that makes them tumble from an extraordinary stature in the wake of having a snapshot of acknowledgment very late. This examination among Creon and Antigone will show that Creon best fits the qualities of a lamentable saint. The meaning of a shocking legend incorporates having an anagnorsis, or snapshot of acknowledgment when they understand their terrible imperfection, and this is one manner by which Antigone doesn't qualify as a deplorable saint while Creon does. At the outset, Creon is extremely obstinate in his choice to execute Antigone for covering her sibling. Considerably after he hears Teiresias’ prescience, de doesn't adjust his perspective. It isn't until later he understands that â€Å"it is more awful to chance everything for difficult pride† however it is still excessively late for him (235). He sees that â€Å"the laws of the divine beings are compelling, and a man must serve them to the most recent day of his life! † (236). He has not served the divine beings by denying Polyneices an appropriate internment. By stupidly dismissing the laws of the divine beings, his â€Å"own dazzle heart has brought [him] from murkiness to last darkness† (242). Presently he has perceived the wrongs he has submitted against Oedipus’ kids, which at last causes his destruction. Antigone, then again, knows about the outcomes of her activities from the earliest starting point. She says to her sister â€Å"I will cover him; and on the off chance that I should bite the dust, I state that this wrongdoing is holy†, indicating that she has deliberately settled on this choice. She is additionally mindful of the unavoidable result of her choice, however it doesn't stop her as she says to Creon, â€Å"I realized I should bite the dust, even without your decree† (208). She winds up tolerating her discipline, and still stands by her choice. Indeed, even as Creon is going to send her to her demise, she says harshly, â€Å"I have not trespassed before God† (227). As opposed to Creon’s dazzle dynamic, Antigone made her rash, yet cognizant, choice completely mindful of the distressing closure, so she never has a second when she understands her imperfection. In Antigone, Creon is an astounding case of an awful saint. He has a significant awful blemish and tumbles from an extraordinary tallness. It could be contended that his heartbreaking imperfection is unnecessary pride. He attempts to reason his choice to murder Antigone by asking the Choragos, â€Å"Who is the man here,/She or I, if the wrongdoing goes unpunished? † (209). The intensity of being above all else appears to have gone to his head. He accepts that his â€Å"voice is the one voice providing orders in this city! †, which is valid, yet his decree is as yet not famous with a significant number of the residents (220). He is so prideful, he will even damage his child, Haimon, to demonstrate his point. He plans to â€Å"Let [Antigone] kick the bucket before his eyes! † (222). At long last, Creon secures Antigone up a stone vault to murder her, yet he was so brimming proudly and would not like to be refuted that he was happy to hurt his child. Another way that Creon is an excellent grievous legend is that he tumbles from an incredible stature. This incredible stature is the seat of Thebes. Since the passing of Oedipus and his children, he has â€Å"succeeded to the full intensity of the throne† (196). He is currently the most influential man in the land. Creon expresses that â€Å"whoever is picked to administer ought to be obeyed†, and he demands demonstrating exactly how much force he holds. In any case, after he has his snapshot of acknowledgment and his fortunes are turned around, he has fallen lower that any other individual. He says that now he has â€Å"neither life nor substance† (244). He has slaughtered Antigone unreasonably and by implication killed his child and spouse. There isn't considerably more hopeless than that, in extraordinary complexity to his once high and respectable situation as lord. Through an assessment of his deplorable defect and go wrong, it is anything but difficult to perceive any reason why he is an extraordinary case of a sad legend. One of Oedipus’ little girls, Antigone, could likewise seemingly be the heartbreaking legend of Sophocles’ play. She has a portion of the primary qualities of a terrible saint, such as having a heartbreaking defect, despite the fact that she doesn't have a snapshot of acknowledgment or tumble from an extraordinary stature. It appears that her disastrous blemish is additionally exorbitant pride notwithstanding settling on hasty choices. After Creon’s order, she will not quit any pretense of, asserting â€Å"Creon isn't sufficiently able to remain in my way† (191). At that point, when her sister, Ismene, attempts to alert her against such a rash and risky choice, Antigone dismisses her, as she says, â€Å"I ought not need you, regardless of whether you asked to come† (192). Some of the time, her incredible measure of pride appears to be disrespect. While she is addressing Creon before her passing she says discourteously, â€Å"Ah the favorable luck of lords,/Licensed to state whatever they please! † (210). Eventually, her pride and absence of insightful dynamic reason her death. However, despite the fact that she has this shocking defect, she doesn't tumble from an incredible stature. Her status in the public eye is generally low, particularly contrasted with that of Creon. As her sister puts it, â€Å"We are just women† (191). In old Thebes, ladies are low on the social stepping stool. Additionally, her family’s â€Å"curse† doesn't help her status as a lady. The Chorus says that they â€Å"have seen this social affair distress . . . /Loom upon Oedipus’ children† (215). The account of her dad and family has brought her no respect in light of the fact that â€Å"The lewdness of [her] birth† has tormented her whole life (226). In this way, when she has been discovered covering Polyneices and is censured, she doesn't tumble from respect, as a genuine awful legend would. Despite the fact that Antigone does forces a few qualities of an awful saint, she doesn't coordinate the definition as intently as Creon does. With everything taken into account, Creon is the genuine unfortunate legend of Antigone. He is an ideal case of one, since he has a noteworthy unfortunate blemish, a snapshot of acknowledgment, and tumbles from a high spot. Some may contend that the appalling saint is Antigone, since she has a sad defect. In any case, she doesn't have a snapshot of acknowledgment or tumble from an extraordinary stature. Plainly, through these models, Creon is the awful legend of the play. Works Cited Sophocles. Antigone. Trans. Dudley Fitts and Robert Fitzgerald. The Oedipus Cycle. USA: Harcourt, 1977. 186-245. The most effective method to refer to The Tragic Hero of â€Å"Antigone†, Papers